This is the current roster of artists whose songwriters we represent. For more information on the works we control by each artist please click on the artists name.
Fiercely energetic punk rawk 'n' roll, Gold Blade have been playing over 200 gigs a year taking rock'n'roll to the people…and the people got it!
Low-decibel noise duo with a strong cinematic sensibility.
The Jerks exemplified British punk rock in 1977: raw, urgent, fast and provocative. A strong visual image and no shortage of potential hit songs. With more vigorous marketing and a larger slice of luck, the ending could have been a lot different.
Intensely fired emocore. Fugazi meets Sonic Youth.
Started life in 1981 as an 'anarcho-punk' band, Kronstadt Uprising appeared on Crass and Spiderleg Records before evolving with a more traditional punk sound.
Described by Record Collector as "like the live entertainment in a pre-war Russian Gulag" and by Time Out as "sounds like the Velvet Undergound guesting with a Ukranian skiffle band". Highly original and totally unique!
MJ Hibbett combines humour and sharp social commentary that one journalist described as "a cross between Billy Bragg and John Hegley." Think Billy Bragg without the New Labour rantings, Shane McGowan sober, Morrissey without the self-indulgent, self-involved self-loathing. It's intelligent music; it makes you think, cry and smile all at once. Earnest, lyrical, poignant and very often funny. This man has something to say, he believes in what he says and we should all listen
80% instrumental with super-cool surf riffs from the likes of Dick Dale and Link Wray, mixed with a Pavement-style attitude to lo-fi, synth swirlings and spoken samples nicked from old B-movies. Add some punk rock and you've got a band that spreads itself across decades past and present.
Canada's most prolific punk band. Pop Punk the way it was meant to be.
The Membranes... original post punk blues punk rock outfit who toured the world hard in the eighties. Stalwarts of the British independent scene...inspired several other bands before burning out.
Punky pop-rock with a conscience. More Lenin than Lennon. If you like The Buzzcocks, The Brilliant Corners or have a secret fond place in your heart for The Pooh Sticks 'On Tape', this band is for you.
Young London political punk band somewhere between The Distillers and F Minus. Their album 'The Right To Remain Silent' avilable now on Madman Records. Presently touring with Introspect.
Inspired by such luminaries as the legendary Gram Parsons, Hank Williams and Johnny Cash, together with more modern day contemporaries such as The Go Betweens and REM, Morgan Le Fay are the epitome of modern roots music.
Late-nineties power-pop that treaded a previously untapped line between arena-conquering bombast and lo-fi poise.
Paranoid Visions are an infamous punk band from Dublin, Ireland who formed in 1982. They broke up in 1992, had lots of reunion shows and eventually decided to reunite.
Named after a 1900s railway worker who lived with a personality disorder after an accident blew a hole in his head, Brighton’s PHINIUS GAGE have been piercing brains of their own throughout the UK with their furious brand of diverse punk rock.
The sound of cramped and spat brat-punk, with occasional slinking.
Hurtling straight out of the garage and straight onto the drag-strip with sonic-splattered 3-guitar of pedal-to-the-metal, gasoline guzzling glory. Raw rock 'n' roll with the spirit of The Cramps, Nine Pound Hammer and Jerry Lee Lewis on shit hot amphetamines hanging onto their taillights.
Abrasive agit 'politico-post-punk' with an underlying groove reminiscent of early Gang of Four. They play incredibly structured, urgent songs that defy pigeonholing. And lyrically, they don’t so much illustrate a grave socio-political climate, as they do invite the listener to think positive, to get involved, to get out there and do something.
Dayglo anarcho-punk band formed in 1979 and still active.
Cybernetic eromatic garage rock with a distinct new wave (Devo, B52s, Kraftwerk, Rezillos) flavour of their own.
Founders of a sub-genre of punk known as "punkpathetique", their humorous pop-punk lunacy won them many fans tired of the political rhetoric so prevelant in the punk movement.
A Punk-Rock, Hip-Hop, Jump-Up Ska Soundclash from Manchester
Emo influenced punk rock. Take some Dag Nasty, Foo Fighters and Samiam and add a distinctly British twist and you'll get the picture.
Fuzzy, aching guitars, supple bass, heart-attack drums and spiky self-assured pop dynamics.
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